For Burns Scholar, water and romanticism mix
Photos by Caitlin Cunningham.
Technically, Claire Connolly may be a 鈥渧isiting scholar鈥� at Boston College, but she already knows the place quite well.
The Burns Visiting Scholar in Irish Studies for 2023-2024, Connolly spent 2002-2003 as a visiting associate professor at 糖心vlog直播平台, and has spoken on campus several times over the years. She also collaborated with Associate Professor of English Marjorie Howes, a member of the 糖心vlog直播平台 Irish Studies faculty, as editor of the six-volume Irish Literature in Transition, 1700-2020.
鈥淭here is just a great community of scholars here, across the disciplines,鈥� said Connolly, professor of modern English at University College Cork and author of A Cultural History of the Irish Novel, 1790-1829, which won the American Conference for Irish Studies Donald J. Murphy Prize for Distinguished First Monograph.
鈥淭he students, undergraduate or graduate, are wonderful people to speak with, whether in the context of a class or one-on-one. And then are the amazing resources of the Burns and O鈥橬eill libraries. So I was very pleased and excited to have the opportunity to come to 糖心vlog直播平台 again for an entire academic year.鈥�
A collaboration between the Center for Irish Programs and University Libraries, the Burns Scholar program brings outstanding academics, writers, journalists, librarians, and other notable figures to the University to teach courses, offer public lectures, and work with the resources of the Burns Library in their ongoing research, writing, and creative endeavors related to Irish history, art, and culture.
Connolly鈥攁 native of Clonmel in County Tipperary鈥攚ill share insights from her unique perspective on 18th- and 19th-century Irish culture when she presents 鈥淲atery Romanticism: Crossing the Irish Sea with Keats,鈥� the fall Burns Scholar Lecture, on December 6 at 5:30 p.m. in the Burns Library Thompson Room. The event, preceded by a 4:30 p.m. reception, is free and open to the public.
鈥淲atery Romanticism鈥� represents a confluence of two of Connolly鈥檚 scholarly pursuits. She has long researched and written about Romanticism, the artistic and intellectual movement that accentuated emotion and individualism, in large part through veneration of the past and the natural world鈥攁 response to the Age of Enlightenment and, in particular, the scientific interpretation of nature. Among its leading figures was the English poet John Keats, tragic author of works such as 鈥淥de on a Grecian Urn鈥� (鈥淏eauty is truth, truth beauty鈥攖hat is all/Ye know on earth, and all ye need to know鈥�), whose travels in his short life included a walking tour of England鈥檚 Lake District and Scotland that involved a brief trip to Ireland.
Claire Connolly: "So, how do we assess the impressions of a Romantic like Keats in the context of what scientific findings, official documentation, and other evidence tells us? What might it say about Romanticism and its place in Irish history and culture, and about criticism of Romanticism, such as during the early years of the Irish Free State?"
Prior to beginning that odyssey, Keats became one of countless individuals to make the crossing between Scotland and Ireland via the Irish Sea. Such journeys were commonplace, even mundane, but also held great cultural significance for Ireland, notes Connolly. 聽
鈥淪eas and coasts were part of everyday Irish life in the Romantic era,鈥� she explained. 鈥淎uthors, soldiers, landlords, migrant workers, students, and members of Parliament moved between the islands and across the British Empire along with books, letters, wine, food, weapons, and cattle.鈥�
In recent years, Connolly has led the interdisciplinary environmental and public humanities projects 鈥淒eep Maps: West Cork Coastal Cultures鈥� and 鈥淧orts, Past and Present,鈥� analyzing the extensive, often complex relationship over hundreds of years between Irish people and the coastal and marine areas they have inhabited, explored, utilized, and exploited. For her lecture, she will use findings from this work as a lens to analyze Keats鈥檚 Irish and Scottish letters and consider the limits imposed upon the creative imagination by the teeming, dismal scenes of pre-famine Ireland.
鈥淜eats had yet to write his most well-known poems before the trip to Ireland, so it鈥檚 interesting to get a sense of what he encountered,鈥� Connolly said. 鈥淗e hadn鈥檛 really envisioned a 鈥榯our鈥�; he just got on the ferry and was in Ireland. His writing from that time doesn鈥檛 have a tourist鈥檚 perspective: Among other things, he saw a rapidly developing Belfast, ravaged with disease, and was unimpressed: He remarked that Belfast was more expensive than Covent Garden.鈥�
Environmental humanities is a highly effective means by which to view Irish history and culture more comprehensively, said Connolly. 鈥淭he late 18th and 19th century was a very intense period where the relationship between people, land, environment, along with justice, was intertwined in ways not always fully appreciated. As records indicate, there was certainly a legacy of extraction and exploitation鈥攖he colonial government seeking to 鈥榠mprove鈥� the land through draining bogs and harvesting seaweed, for instance鈥攂ut also one of conservation and attention to biodiversity.
鈥淪o, how do we assess the impressions of a Romantic like Keats in the context of what scientific findings, official documentation, and other evidence tells us? What might it say about Romanticism and its place in Irish history and culture, and about criticism of Romanticism, such as during the early years of the Irish Free State?鈥�
Having grown up 鈥渁t the bottom of a valley with no TV reception,鈥� Connolly said, she was always a keen reader. She came of age in the 1980s, a period marked by the continuing turmoil of the Troubles but also referenda on abortion and divorce that finally led to some important societal changes in Ireland. After earning bachelor鈥檚 and master鈥檚 degrees from University College Cork, Connolly emigrated to Wales, earning a doctorate at Cardiff University and serving on its faculty. She returned to Ireland in 2012.
Connolly has edited or co-edited 10 books and authored dozens of book chapters and articles, and has been O鈥橞rien Professor at Concordia University in Montreal and Parnell Fellow in Irish Studies at Magdalene College, Cambridge. Her affiliations include membership in the Royal Irish Academy, the board of the Irish Research Council and Council of the Royal Irish Academy, and the Cambridge Studies in Romanticism editorial board; she also is a Fellow of the Learned Society of Wales and a Corresponding Fellow of the Royal Society of Edinburgh.